What Comes Next
A revision intensive for solving problems of structure and order. By application.
A revision intensive for solving problems of structure and order. By application.
A revision intensive for solving problems of structure and order. By application—reach out via contact page.
A guided process for working with blocks and inner critics. Register here.
A guided process for working with blocks and inner critics. Register here.
A NYC reading with Delali Ayivor, Daniel Allen Cox, Lilly Dancyger, Kristin Dombek, John Engleheart, Lindsey Trout Hughes, Anastacia Renee, and Jet Toomer. Hosted by Katie Lee Ellison and Jessica Lynn.
Sept 12
7pm
Book Club Bar
A two-hour online writing workshop for writing nonfiction scenes that unfold at the pace of life (and attending to hyperobjects). Register here.
A two-hour online writing workshop for writing nonfiction scenes that unfold at the pace of life (and attending to hyperobjects). Register here.
Tinker Mountain Writers Workshops
Hollins University
Roanoke, VA
This write-now workshop invites you to bring a small archive of evidence to the mountain: a keepsake, a letter, some photographs, your interview notes/transcripts, an important journal, screenshots, art objects (or transportable representations), a song, a book, audio recordings, or any other kind of artifacts you want to attend to. We’ll use what you bring as sources and prompts for our narratives. After drafting moments, lines and images, scenes, portraits, anecdotes, and flashes of memory, we’ll explore how we might combine these fragments into more-finished work. Through readings and discussion, we’ll investigate elements of creative nonfiction such as dual-time frames, the narrative impulse versus reflection, character development, scenes, voice, rhythm, and effective prose. But the main focus of the workshop will be on your writing process, the material you generate, and sharing that material with a sympathetic audience. Class time will be dedicated to sharing work, discussing the art and craft of writing, and perhaps working on an exercise or two. Outside of class, you’ll be asked to write in response to prompts or wherever the muse takes you. The goal at the end of our week is to develop new material and new resources for fashioning your essays, stories, and/or memoirs. Open to all levels.
Sarah Lawrence College
MFA Program
Heimbold Visual Arts Center 202 Donnelley Film Theatre
OPEN TO THE PUBLIC
SEPTEMBER 28, 2021 / Tuesday
2:00pm-3:00pm
This in-person event is open to current students, faculty, and staff. Other members of the SLC community are welcome to view the event on Zoom by registering here.
Today in June we are waiting for the Pentagon to say what they haven't said about UFOs, and hearing the virus may indeed have been leaked from a lab. I am thinking about the difference between the stories we trust because we are expecting to hear them, need to hear them, can't imagine beyond them--and the intimate and surprising trust great writers of nonfiction (journalists, but also essayists and fiction writers and poets) inspire. What September will be like I do not know but maybe I will talk about this: toxic narrativity, on the one hand, and on the other, the craft of trust, its mystery across forms and genres, and the deep personal work of becoming trustworthy.
Burnaway’s signature education program, the Art Writing Incubator (AWrI) will host five, virtual public talks throughout Summer 2021 with Burnaway’s masthead, four guest Mentors, and a keynote lecture. In short, hour-long talks each speaker will explore this year’s AWrI theme, Criticism Amid Crisis as it relates to their respective work as curators, writers, artists, theorists, and musicians. Audience members are invited to stay for a brief Q&A. Following the public component, AWrI students will then join the mentors in a private, intensive workshop.
Each lecture will be hosted virtually via Zoom, is open to the public, and free with registration. All are welcome to attend all five talks, and attendance is required for AWrI students.
A reading with T. Kira Madden in Matthew Lusk’s installation at Black Ball Projects (https://www.blackballprojects.com), in a series of promising performances curated by Evan Rehill, of/with the permission of Picasso Machinery.
Saturday, October 13, 4:00 p.m.
Black Ball Projects
374 Bedford Avenue, Brooklyn, NY
Celebrating Women Writers with The Rona Jaffe Foundation
THIS IS AN OFFICIAL 2018 BROOKLYN BOOK FESTIVAL EVENT
A Reading with past RJF Writers’ Awards winners Ama Codjoe, Meehan Crist, Kristin Dombek, and Apricot Irving
Poet and Cave Canem and MacDowell fellow Ama Codjoe; Essayist, science writer, and host of Convergence, a show about the future, Meehan Crist; Kristin Dombek (The Selfishness of Others: An Essay on the Fear of Narcissism, FSG, 2016); and Apricot Irving (The Gospel of Trees, Simon & Schuster, 2018, a memoir of a missionary’s daughter in Haiti) will read from their work.
KGB Bar Red Room
85 East 4th Street, NYC (between Bowery and 2nd Avenue)-Broadway-Lafayette Subway
Free Admission
www.kgbbar.com
www.ronajaffefoundation.org
Guest talk in the “Luminary Minds” Series, Butler College, Princeton University.
Master class; “Writing Religion,” Guest lecture, Stanford University.
Practices of Literature Program, University of Münster. Münster, Germany.
Eastern Washington State University, Spokane, Washington.
A reading and panel in honor of The Best American Essays series. With Honor Moore and Bob Atwan. New School for Social Research, New York City.
Panel discussion in the “How Should I Live?” series, organized by Moira Donegan, with Lola Pellegrino and Karla Cornejo Villavicencio. 61 Local, Brooklyn, NY.
Performance at Picasso Machinery, Brooklyn, NY.
Seminar. Onassis NY Festival: Narcissus Now. Onassis Center, New York, NY.
Staged conversations: “Hatred of Poetry,” with Ben Lerner. “May I Have Some Advice?,” with Sadie Stein. “Recovering Christians,” with James Wood. Oslo, Norway.
Reading, Panel, and Craft Talk. Franklin and Marshall College, Pennsylvania.